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 Review from Just Jazz Guitar Magazine (No. 41), November, 2004:

CEDAR & SILVER JIM FERGUSON
MUSIC FOR SOLO GUITAR

This CD was recorded in 2004 on Spring Street Records, P.O. Box 551, Santa Cruz, California 95061-0551. It is always a pleasant surprise to receive a book or a CD from Jim Ferguson, but this was really the biggest surprise that he's sent my way to date.
Cedar & Silver is a solo CD with Jim Ferguson performing thirteen beautiful compositions on a cedar top nylon string guitar. All but two are his own. He is doing this fingerstyle, and his technique is impeccable. The guitar is by Thomas Rein of St. Louis, MO, and it is a joy to hear the responses and tone Jim urges from this scrumptious guitar. The instrument and the player are bonded and you can hear it.
We know Jim well for the Mel Bay Publications "All Blues for Jazz Guitar," "All Blues Soloing for Jazz Guitar," "All Blues Scale for Jazz Guitar," "All Solos & Grooves for Jazz Guitar," and "All Intros & Endings for Jazz Guitar." He is sought after as a teacher and writer and is on the faculty of California State University. His articles have been seen in JazzTimes, Down Beat and other magazines. But this CD is not just jazz, nor is it classical music. It is the product of a fine composer who loves the guitar and finds many stimuli to write playable music for the instrument. Here is a very interesting side of Jim's musical life. Noted as a writer and an educator, Grammy nominated for his writing and a former editor of Guitar Player Magazine, he is now showing us that he is a wonderful composer for guitar, and although these pieces are played on classical guitar they are distinctly his own and not an imitation of classical work from the past. A second listen has us realizing that he is a jazz guitarist. Chord progressions, and jazz influenced lines are in his blood and this music.
He is not a foreigner to the study of classical guitar and has even written several volumes published by GSP of San Francisco including instructional material devoted to the studies of Leo Brower, Fernando Sor, and Matteo Carcassi. His love of the classics and his knowledge sings out in this work.
I know that Jim loves jazz, but he loves the guitar more, and this CD certainly is evidence of this. All the pieces are unique and distinctive, and it is just wonderful to listen to these endeavors produced by a man who is so versed in teaching jazz and blues guitar.
I loved the flagship piece "Cedar & Silver." It gives a feeling of South America and wonderful weather. There is a nice modal piece, "Nisene," which is named after a state park where Jim mountain bikes.
"Horace" is dedicated to the jazz pianist composer Horace Silver and includes some references to a couple of his tunes in the introduction, and some of this was not written but improvised. And so it goes, with "Medley for Kirk," which is a take off on some movie themes. This one is a medley and not all original. The haunting opener, "Asian Pavan" is based on two Japanese pentatonic scales. Jim wrote it while teaching a survey of world music. The theme is stated and carried through an intriguing harmony. All the pieces are based on engaging motifs and are full of musical enjoyment.
Throughout the entire CD there is a wonderful feeling of soulful sensitivity demonstrated by this ever so multifaceted virtuoso guitar player. Although it is not straight ahead jazz, this is one to listen to.
Reviewed by Dr. Frank Forte

Amazon Customer Review (April, 2005)--Cedar & Silver, A Modern Guitar Masterpiece

Jim Ferguson displays his guitar virtuosity as well as his eclectic taste in music. Every style from blues, jazz, classical, Asian, Brazilian, gospel, folk, and country finds its way onto this recording. This album was designed for people like me who absolutely love the sound of a guitar, and who have eclectic tastes in music. I am also a serious student of guitar, and for me this recording will not only be pure listening pleasure, but also a lesson in guitar virtuosity and composition.
Reviewed by Leo de Leon

Tracks from Cedar & Silver have been used in A&E and PBS programming!

 Cited in Guitar Player Magazine's What's Spinning In The Editor's Heads This Month section. (Dec. 2004)

 "Loved your CD!!"--Susan Orlean, bestselling author of The Orchid Thief

"Listening to your CD right now. It's great!"--Marla Streb, champion mountain biker and classical pianist

Book Review Excerpts & Comments

"[Ferguson's] trilogy could help up your status from Jazz Wannabe to Legit Hepcat. Dig it, man."
-- Guitar Player

"Superb. One of the most comprehensive and clearly presented approaches to this much dissected subject."
-- 20 th Century Guitar

"Learn these smoky lines, and you'll amaze your bandmates the next time they launch into a shuffle."
-- Guitar Player

"Ferguson's books are essential for anyone wishing to expand their jazz vocabulary." -- Jimmy Bruno

"Taken together [Ferguson's books] offer myriad options in navigating various blues forms. An essential resource for students." -- JazzTimes

"The examples on the CD are well executed, and contain that classic dry-as-a-bone archtop tone." -- Fingerstyle Guitar

"Jim Ferguson continues with a terrific book of all intros and endings. If you've ever had trouble coming up with interesting intros or endings, this will surely help. Highly recommended." -- Just Jazz Guitar

"Essential for all of my students!" -- Howard Morgen